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The Movies of Joko Anwar
Joni Be Brave (2003)
Joko: Writer and director
This short film, produced for the United in
Diversity Forum, is not commercially available. Joko accurately describes it as
“propaganda”. It’s marred by clunkiness in the acting and script, but there are
hints of better things to come, including a nice feel for street and crowd
scenes and a playfulness about the relationship between film and audience (the
main character wrenches himself out of a daydream by “grabbing” the top and
bottom of the frame and pushing them from letterbox into full-screen format).
****
Arisan! (2003)
Joko: Co-screenwriter
Plot: A young man
struggles with the fact that he’s gay, while two female friends try to make
their marriages work in the backstabbing world of Jakarta socialites.
The Lowdown: Arisan! got a lot of
attention for its gay-positive message and man-to-man kiss. But it is just as
notable for its handling of multiple story lines and moods. Many Indonesian
films are either heavy and sloowww, or lighter than movie-theater popcorn.
Arisan! tries to inhabit the middle ground, which is, after all, where
people live. It’s not perfect – some of the jumps between scenes are awkward –
but the dialog is funny and the characters likeable. Aida Nurmala stands out as
the perfectionist Andien, oozing charm on the surface but exploding when anyone
she trusts falls short of her standards.
Great Scenes: A segment in a Jakarta police
station is a welcome blast of grit amid all the crocodile bags and diamond
earrings. The birthday cake episode is painful. It will remind you of every
humiliating thing you’ve done for love.
Revelations: Joko plays the restaurant manager
in the final scene …Tora Sudiro had to go through an intense workout regime, “as
if I was going to play Rocky”, to portray the buff and body-conscious Sakti ...
Arisan! was the first Indonesian movie to use high-definition color
enhancement, making its bright, retro-70s palette jump out ... As of last year,
this was pretty much the only Indonesian movie you could find in the United
States.
****
Janji Joni (Joni’s Promise)
(2005)
Joko: Writer and director
The
Plot: Joni, a young man who makes a living shuttling film reels from theater to
theater on his motorbike, battles the clock and an array of urban obstacles to
drop off a movie in time and win the woman he loves.
The Lowdown: The first thing that jumps out
about Janji Joni is its kickass indy-rock soundtrack. The music is so
integral to the action, it should get a cast credit. Ostensibly a love story,
the movie is really about Joni’s stubborn effort to stay innocent in a Jakarta
that’s trying to make him cynical. Nicholas Saputra brings just enough
baby-faced sweetness to the title role, and Rachel Maryam is nicely understated
as Voni, almost unrecognizable from the country bumpkin she played in Arisan!
Visually, the film manages to capture some of the feel of Jakarta, a city whose
messiness often doesn’t translate to the big screen. Janji Joni is
funny, unpretentious and full of personality; you won’t mistake it for one of
the interchangeable romantic comedies now playing at a theatre near you.
Great Scenes: Joni’s description of the Ten
Kinds of Indonesian Moviegoers will ring true with anyone who’s ever hunkered
down at 21 Cineplex and tried desperately to ignore their neighbors. A scene
where Joni and Voni take refuge inside a pitch-black garbage bin, flicking their
cigarette lighters on and off in turn, is unexpectedly sweet.
Revelations: Joko appears briefly at the end
as the man who tells Joni the film showing has ended… Arisan! director
Nia DiNata cameos as a movie critic Adetasha, who’s a riot as a woman rushing to
the hospital to give birth, was a costume assistant who took the role at the
last second when the scheduled actress broke her leg the night before the shoot
... Watch for “scratches” that appear on the screen when the annoying boyfriend
is complaining about how Jakarta theaters manhandle films ... A “gala premiere”
scene features Joko’s upcoming movie, Dead Time (below).
****
Coming Attractions
Kala (Dead Time)
Scheduled Release: April 2007
Set in an unnamed country and
era, Dead Time was shot at a hectic pace of four cities and 27 locations
in slightly more than a month. Described by Joko as a film noir, it features a
narcoleptic hero lost in a labyrinth of conspiracies and lies. A handful of
stills posted on a making-of blog (http://deadtimethemovie.blog-spot.com/)
look appropriately sinister. With its themes of power and censorship, this
seems quite a leap from Arisan! and Janji Joni. But Joko won’t be
the first; his mentor Nia DiNata pulled off a similar evolution in tone last
year with the complex and substantial Berbagi Suami (Love for Share).
Movie fans will be watching to see if Joko can make it work.
+ Trish Anderton
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