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Krisna and all
that Jazz
When the Indonesian
Book of Records selected 10 “cool” guitarists to play together on
stage in March last year, the youngest among them was Andika
Krisna Dharmawan from
Bali.
Kadek Krishna Adidharma meets the youngest musician to ever
play at Java Jazz to discover what spurs a child prodigy ever onward.
“To young musicians
out there in
Bali, keep on at it, don’t give up!” Krisna calls out before
breaking into laughter. I’ve just made him repeat the familiar battle
cry that he uses to conclude radio interviews.
This 14-year-old musician is a member of Pandawa, a rock group
founded five years ago and inspired by Deep Purple, Dream Theatre and
Dewa. Currently in his third year of junior high school, his typical
day begins at
6:30 a.m.
“School starts at
7:30 a.m. With all the compulsory extra math, science and English
lessons, it can go on to
2 p.m. most days of
the week,” he says unenthusiastically.
“But after lunch, I try to fit in 2-3 hours of guitar or band
practice,” Krisna adds, his eyes lighting up. “Most of my gigs start
about 9 p.m. and go on to about 11 p.m., but sometimes they go to the
early hours of morning. As long as I don’t miss watching Piala Asia
[The Asian Cup], it’s fine.”
Krisna does not seem to care too much about being a very cool kid in
his own backyard.
“Some of my friends support [my playing music], some are a bit
jealous. My teachers are much the same. Some of them think I’m wasting
my time on music.”
“As a musician, I get more respect in Jakarta,” he adds, reminiscing
of his Java Jazz experience.
Gradually weaned of his early classic-rock addiction, his music tastes
are maturing. Fast. This avid soccer fan who loves foreign films has
developed a taste for jazz-rock in the past two years.
“I’ve played rock, pop and progressive jazz. You know, universal jazz
with bits of pop, rock and ethnic [elements]. It’s fusion, really.”
Pandawa’s music is arranged by the band, while the lyrics, mostly in
Indonesian, are written by the singer. “Skill” is the buzzword and
developing musical ability is paramount. If a maestro crosses his
path, Krisna will definitely ask for lessons. His long list of mentors
includes Balinese jazz-guitarist “Magic Fingers” Balawan.
But he also is aware of the need to be original.
“I’ve been working on an instrumental baby-rock arrangement with a
touch of base drums and a lux sequencer to show off the guitar.”
After five years together, there are rumors that Pandawa may be
breaking up. Three members of the band are at that age when most of
their friends are pursuing tertiary study. And there are few options
to study music in Bali.
“University is just a waste of money,” says Krisna’s older brother
Iwan, the base player of the band who graduated from high school last
year. “I prefer just playing music. We’re still indie but we have
enough gigs. We’re still trying to break into the
Jakarta bubble, though.”
Although he brushed aside questions about the band breaking up, Krisna
did concede that he was forming a new band, called Boys Don’t Cry.
“We’re teaming up with Suta as the vocalist,” he says, referring to
the 2005 winner of TV singing talent contest Akademi Fantasi
Indonesia (AFI).
“Suta is writing lyrics, mostly in English,” adds Iwan, “so this
should help us reach a wider audience.”
Krisna is already looking one step ahead: going international. He
dreams of breaking into the
U.S.
music scene, and one day going to Hollywood to study with guitar
legends at the Guitar Institute of Technology.
His goals are very different from those held by his father at the same
age.
“When I was growing up,” says garment manufacturer Hendra Kurniawan,
“we were all told to be engineers.”
Watching his two children’s growing love of music has brought him to a
new realization. “Education is important, but most important of all is
skill. With a future that is changing beyond our imagination, parents
can no longer be dictators directing children to what they consider is
important.
“We can only assist them in developing skills. Any skill. As long as
they give it their best.”
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